Felíz día de los muertos con retraso



Belated Day of the Dead-inspired fashion. There’s no point in being punctual anyway; no one’s there to appreciate it.



Belated Day of the Dead-inspired fashion. There’s no point in being punctual anyway; no one’s there to appreciate it.

There are, I’m sure, a limited number of people out there who would look at Sarah Burton’s latest collection for Alexander McQueen and think, “Ooh! I would wear that!” But wearable is possibly the last word one would use to describe the clothes seen on a McQueen runway anyway. Wearable they are not; what they are is a brilliant manifestation of the intersection of artistry, drama and the form of the human body.
Romantic, feminine and striking, for autumn/winter Burton took the darkness of the McQueen aesthetic and imbued it with a sort of nostalgic fantasy that manifested itself in dusky autumn flora. Close-up shots revealed the embroidery, the deft way in which the collars fell to subvert our notions of tailoring, and the intricate layers of chiffon that seemed to revel in artistry. This was fashion literally rendered as beauty. Methinks Alexander McQueen would be proud.





Alexander McQueen autumn/winter 2012/13 at Paris Fashion Week / Monica Feudi via vogue.com
New York Times fashion critic Cathy Horyn goes to Sarah Burton’s studio / Nowness.com